El Mac honors 90 year old local man in Agdz, Morocco with a mural
MOROCCO
Upperplayground News
The Legend of Igloo Hong
The Legend of #igloohong photo by @pacoraterta #davidyoungchoefoundation @igloo_hong @davidchoe #davidchoe #agdz #morocco
Agdz, Morocco with the David Young Choe Foundation and Igloo Hong
The Legend of Igloo Hong continued to grow as it made its way to Agdz, Morocco. No formal press release has been announced explaining what was going on. But we do know that DVS-1, Aaron Horkey, Esao Andrews, El Mac, Andrew Hem and David Choe were on location at the site.
Upper Playground Exclusive: New Work by Usugrow at Café Des Epices in Marrakech, Morocco
Renown Japanese artist and muralist, Usugrow, completes a new wall in the heart of the Medina at Rahba Kedima spice square of Marrakech, Morocco. Curated by Valerie Liais du Rocher of Studio IWA with support from Upper Playground, the mural covers the facade of the well known Cafe Des Epices featuring Usugrow’s signature hand style. Combining his knowledge of Kanji (Japanese), Arabic and English Calligraphy, Usugrow once again reinvents his free hand. Check out the photos by contributing photographer, Raphael Liais for Upper Playground:
This wall was made possible by Valerie Liais du Rocher of Studio IWA x Upper Playground.
For more information about the artist visit usugrow.com and follow his instagram @usugrow.
New Style by Aryz in Spain and Morocco: Sketching BIG
Some New walls recently completed by Spanish artist ARYZ while visiting Basque Country, Spain in Bilbao and in Casablanca, Morocco. Check out his latest mural style focused on representing his recent sketches in large scale.
Bilbao, Spain: ”El fin justificado”
“I always thought that the most difficult thing of painting in big formats was too keep the line gesture and the proportions like in the sketches. My sketches have a lot of mistakes and random lines, and somehow I wanted to reproduce that on a wall. The more effects and colors you use on your work, the more you can hide the mistakes and catch the viewer’s attention… when you use the line and not much more, the mistakes can be easily seen…” -Aryz
Casablanca, Morocco:
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