3D

Upperplayground News

WOODEN CREATURES BY AJ FOSIK

by Ariadna Zierold

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Portland based artist AJ Fosik (previously featured here) creates intricate, vividly colored three-dimensional pieces that reference folk art, taxidermy, and cultural ritual. Fosik’s wall pieces and freestanding sculptures of anthropomorphized animals are carefully crafted from hundreds of pieces of wood that he cuts and paints individually by hand. Once the basic forms are complete, he adds threatening teeth, claws, and eyes to give the objects an intimidating presence. Totems and fetishes, as well as the “random, chaotic and arbitrary nature of existence,” fascinate Fosik.

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BITING HUMOR BY MATTHEW PALLADINO

by Ariadna Zierold

matthew palladino, mixed media, watercolor, ink, acrylic, paint, painting, candy molds, 3d, humor, grid based, compositions, pop culture, optical illusions, upper playground

Matthew Palladino has taken up multiple mediums, and considers each new shift as “another mutation of the thing that came before it.” Palladino first became known for his works in watercolor, ink on paper, and acrylic paint. He then moved on to three-dimensional reliefs, made in part from candy molds. Both his two- and three-dimensional works share a biting humor, variations on grid-based compositions, references to pop culture and art history, and optical illusions that distort spatial relationships. He cites his main influences as Margaret KilgallenChris Johanson, and Barry McGee.

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FLEXIBLE ORGANIC FORMS BY SUI PARK

by Ariadna Zierold

sui park, flexible, organic, form, forms, 3d, seoul, korea, dynamic, biomorphic, nature, installation, sculpture, weaved, monofilament, cable ties, upper playground

Sui Park is a New York based artist and an interior architect born in Seoul, Korea. Her work involves creating 3-dimensional flexible organic forms of a comfortable ambiance that are yet dynamic and possibly mystical or illusionary.

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“My work involves creating 3-dimensional organic forms mostly in generic and biomorphic shapes. Through these forms, I attempt to express seemingly static yet dynamic characteristics of our evolving lives. While they resemble transitions and transformations of nature, the forms are also to capture subtle but continuous changes in our emotions, sentiments, memories and expectations.

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I weave and connect traces and tracks of the subtle changes into organic forms. The organic forms are made with mass-produced industrial materials, in particular Monofilament and Cable Ties. They are non –durable, disposable, trivial, inexpensive and easily consumed materials. But, when I weave and connect them, they are transformed into organic visualizations. I want them to be creating lasting moments, evoking and encapsulating our precious thoughts.” Sui Park

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FABERGE FRACTALS BY TOM BEDDARD

by Ariadna Zierold

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Scotland-based laser physicist-turned-artist and web developer Tom Beddard, aka subBlue, has produced a number of intriguing geometric forms he refers to as Fabergé Fractals. Like an ornate Fabergé egg, Beddard’s creations boast brilliant and intricate design patterns. The English artist uses a formulaic method to create his digitally rendered three-dimensional models.

The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.

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