ANATOMICAL

Upperplayground News

THE UNCANNY BY MICHAEL REEDY

by Ariadna Zierold

michael reedy, photorrealistic, anatomy, surreal, surrealist, anatomical, body, medical, illustration, uncanny, dark, upper playground

Michael Reedy (previously featured here) works with elements of photorealistic anatomy in his drawings that are blended with pop surrealist fare, combining anatomically-precise figures with strange, bug-eyed monsters, Classicist cherubs or geometric designs arranged in the background. Reedy uses his penchant for photorealism to create bizarre and sometimes haunting juxtapositions; we see characters with their internal organs and bones exposed, adding an element of vulnerability to his work.

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In his most recent drawings he has revisited the timeless themes of life, death, and the human condition. This new interest in the expulsion and the fall of man has been paired with his prior leanings, which have long been rooted in fringe images of the body, medical illustration, ornamentation, dark comedy, and the uncanny.

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SKINNED SCULPTURES AND ILLUSTRATIONS BY MASAO KINOSHITA

by Ariadna Zierold

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Masao Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme.

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Kinoshita’s sculptures stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land.

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SURREAL ANATOMICAL DRAWINGS BY TROELS CARLSEN

by Ariadna Zierold

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Copenhagen, Denmark based Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely holding conceptual tones as well. Carlsen gets his inspiration from the human condition, specifically how art has captured human life over the last few centuries.

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