by Ariadna Zierold
Thomas Kuntz is a contemporary artist fighting to bring ancient arcana and modern technologies together as weapons for aesthetic enlightenment. He was born in Phoenix Arizona, the youngest of four siblings. His father, a surgeon, and his mother, a folk artist and doll maker, both provided the necessary gene pool and a stimulating environment for him to grow into early on.
Thomas has been working constantly as a professional artist since 1986, but his private projects tend to feature the mysterious, uncanny, sometimes darkly horrific and bittersweet sad aspects of human nature. He has devoted a lifetime to acquire the skills of designer, sculptor, mechanic, automatist, animator, model maker, painter and conceptualist.
In the new world order marketplace of branding, globalization, automation, compartmentalization and the subsequent general shrinkage and decline of craftsmanship, Thomas is in fact a dying breed. His inspirations span the centuries and are cross-pollinated in subject matter and approach. Dada-surrealism, mechanical engineering, architecture, atom-age kitsch, erotica, exotica, classical renaissance, horology, anthropology, artificial life/androids and anatomy to name just a few. It is not uncommon to see his projects packaged with a strong dose of “gallows humor” theatrics and magic.